BIO
Kristen Rea is a dancing French hornist turned musical theatre composer-lyricist and playwright. Her writing ranges from quirky, all-ages humor that brings lightness and honesty to important themes to more dramatic original works with a soaring orchestral sound and a touch of comedy. Kristen also specializes in kinesthetic performance and works that incorporate on-stage instrumentalists. In addition to collegiate degrees in music, Kristen studied Music and Lyrics at New Musicals Inc. and the BMI Lehman Engel Musical Theatre Workshop, where she participates in the Advanced Workshop.
Original musicals include End of the Line (Music) written with Howard Ho (Book) and Chris Edgar (Lyrics), which was featured at the Samuel French's 44th OOB Short Play Festival (2019), TNNY’s Soundbites 5.0 Festival (2018), and New Musical Inc.’s 15-Minute Musicals (2015). End of the Line is published in The 10-Minute Musical: An Anthology From The SOUND BITES Festival and is available for licensing through Music Theatre Int. (MTI). End of the Line has been performed throughout the US and internationally and has been translated into Spanish (Al Final de la Línea).
Other musicals include New Horizons (Book/Music) written with Aliza Rabin (Lyrics), which was presented at the BMI Lehman Engel Workshop. Her Christmas musical, North Pole High (Lyrics), written with Dan Margules (Book) and Rafi Nemes (Music), received a staged reading at New Musicals Inc., was featured in NMI’s Got Musical? 2016, and was a semi-finalist in Brookfield Theatre for the Arts’ Battle of the Christmas Musicals.
One of her favorite creations is the play Sombrellu, a modular youth production designed to showcase students from multiple after-school performing arts programs across Los Angeles. Sombrellu was developed in collaboration with students in the CITYstage Leadership Academy who participated in a blue-sky brainstorming session with Kristen to contribute their ideas to the work. The same students then produced and performed in the play at ArtShare LA in 2016.
Kristen’s entry into the world of musical theatre follows an unconventional career as a performer. Over the course of 12 years, Kristen served as the featured French Horn soloist in eight productions and tours of the Tony and Emmy Award-winning theatrical production, Blast! and Blast! The Music of Disney throughout the US and Japan. She’s also worked as a pit orchestra musician for shows like the national tour of 42nd Street and recorded for motion pictures and recording artists. As an orchestral musician, she has performed with orchestras and chamber groups, as well as with artists ranging from Randy Newman to The Airborne Toxic Event. Kristen studied French Horn with Richard Todd, Robin Graham, Pete Nowlen, James Thatcher, Kristy Morrell, and Erik Ruske and was a performer and Assistant Director for the Disneyland All-American College Band earlier in her career.
Kristen currently works at Concord Theatricals as Music Manager for K12 & TYA Development, where she collaborates with Broadway authors to prepare their music materials for licensing and develops Concord's Teen and Youth adaptations for the educational market. An expert Broadway music copyist, Kristen has guided fellow composers through the transition from Finale music notation software to Dorico. Kristen has also provided dramaturgical guidance to new musicals commissioned by Concord Theatricals.
Kristen is also the founder of Friendficiant, a wedding officiant coaching service for individuals who've been asked to officiate their friends' weddings. At Friendficiant, Kristen draws on her background as a performer, writer, theatre maker, and wedding officiant to help others create and present the perfect, bespoke wedding ceremony for their loved ones.
A passionate arts education advocate, Kristen is a teaching artist and former clinician for Disney Performing Arts. She was the founding Director of Music for CITYstage, a performing arts education organization for underserved youth in Los Angeles, which she has helped build with the organization's founder, Emili Danz - an amazing woman she’s known since pre-school. Kristen has also worked as a performance and acting coach for instrumental and vocal musicians in NYC, a tribute to her first job in NYC managing the Birdland Jazz Club, and opening the Birdland Theatre, where she honed her eye for stage presence while watching some of the world's best jazz artists and cabaret performers every night.
Kristen grew up in Placerville, CA -- the epicenter of California's gold rush. As a child, she spent most days after school in an art studio, and has fond memories of building forts in the forest behind her home, traveling the state to perform at honor bands, and singing along to her mother's Rogers & Hammerstein albums when home alone. She loves her dog Arlo, officiating weddings, making Halloween costumes, and definitely would have been sorted into Ravenclaw. Kristen holds a Bachelor of Music degree from the University of Southern California where she graduated magna cum laude and received the Vincent DeRosa Scholarship for french horn study. She also earned an MFA in music from the California Institute of the Arts where she took a cross-disciplinary approach to music by studying acting, directing, and playwriting in addition to French Horn performance and composition.
